Road Trip 2009: Day Five

Now I know why my mother, the National Park junkie, wanted to come with us on this trip.  We visited several amazing National Parks and Historic Sites in and around San Francisco, and were blown away by the beauty and history of this city.

We decided to start the morning off at The Presidio, the original Army base that has been converted into a National Park and Historic Site.  It’s perched on the hill, overlooking the bay, and the view is incredible.  We stopped by the original “Officer’s Club,” which is where the park’s Visitor Center happened to be.

Outside of the club were two cannons, both dated 1671.  Turns out these are Spanish cannons from when the Spanish owned the site (before it became a Mexican posession and finally a United States Army base).    They are also the oldest cannon anywhere in the United States.  Three hundred and thirty-eight years old.  What history they have seen–what history they have been part of!

Fort Point and the Golden Gate
Fort Point and the Golden Gate

Going inside, we found a building that had been restored in the 1930’s (and again in the 1990’s).  It was huge and impressive building, and off in one anteroom we saw a strange assortment of wall decor, furniture, and more.  What we found out was that this room had nearly 300 years of history in it.  The walls of the building are original adobe, built by the Spanish.  In the mid-1800’s the US Army built wooden walls around the already standing adobe, and all restorations have been built around these original walls.  As Robyn and I said, “To think of how many generations have stood in this room–the history they have made–that they have been witness to.”

We drove by the old brick barracks, which are being converted into museums and more, and also saw where they are building the Walt Disney Family Museum, which is being opened by Walt’s family and will house historical documents, pieces of Disney’s personal history (including the Carolwood Pacific, the miniature train from his backyard in the Hollywood Hills).  It opens in September.  Man, missed it by one month.

From there we went to Fort Point, an 1830’s fort built on the entrance into San Francisco Bay.  It was built to garrison more than 500 men and is the exact same style of fort as Fort Sumter (where the first shots of  the Civil War were fired).  It sits right below the Golden Gate Bridge, and in fact, was saved when the architect of the Bridge saw the amazing brickwork and declared it a perfect example of the mason’s art.  So impressed was he that he actually built an arch into the underside of the bridge to frame it.  We climbed through the entire fort, all the way to the top, standing under the Bridge and looking to the Pacific Ocean.

From there, it was a quick stop at Crissy Field, the oldest original air strip in the United States, then we headed into town to find the famous “Painted Ladies,” classic examples of Victorian architecture.  After finding these, and parking right in front of them so we could get Robyn’s picture, we were thankful once again that we had driven.  We were able to see so much of the city on our own!

My View from the Front of the Cable Car
My View from the Front of the Cable Car

We then went for a traditional tourist activity: the San Francisco Cable Car.  After buying the round trip tickets, we boarded.  Austen and I stood on the rail the entire trip and I have to admit, it was one of the most fun things I have ever done.  Austen had a blast, and it was tough to actually keep him from swinging around on it once he finally realized it wasn’t going to go 100 miles an hour.

We ended up in the shopping district, caught the next available car back and ended up at Ghiradelli Square, where we ate delicious sundaes for dinner.  After that we took what is called the 45 Mile Scenic Drive and saw some of the most beautiful sites.  I’ll post more on those later.

All in all, though, I’m surprised by how much I liked San Francisco.  But I didn’t leave my heart there.

Road Trip 2009: Day Four

San Francisco is full of wonders.

We started the day a little late, enjoying a Sunday morning for sleeping in–something we don’t usually get around our family, due to my job at church.  I did wake up early enough to think of the gang at New Life Church and pray for a great day for them, but after that the rest of the family woke up and it was time to get started.

We decided to be typical tourists on the first day and spent most of the day in the Marina District.  Pier 39, Fisherman’s Wharf, the Cannery, and more.  After a quick trip down the 101 back into town, and a red light being run right through–sadly enough, by me, who just had one of my “doh!” moments–we hit the weirdly named road “The Embarcadero” and drove past the droves of people arriving from a cruise.  The road was jammed for a cloudy Sunday morning and I had to work at keeping my temper.

Finally finding a place to park, we walked across the sky bridge to Pier 39.  I remember when there used to be a Disney Store here, and find it just as “touristy” as I remembered it.  Shops selling cheesey souvenirs, lots of people with strange European accents, and crowds.  Lots of crowds.

But there was a beautiful Venetian carousel in the middle of the pier and we all road it together.   The kids had a blast and it was actually quite fun.  The curmudgeon in me sank back into his happiness-induced stupor even further when we happened upon a street performer named “Captain Jack Spareribs” who performed juggling and magic while doing a very good Johnny Depp as Jack Sparrow impersonation.  The show was funny, well-done, and actually quite professional, ending in the “Flaming Basket of Voodoo” trick, was involved daggers, swords, a girl, a basket, and a flaming torch.  Nobody was too badly hurt, so it all ended well.

We went through a side door and ended up encountering 150 California Sea Lions, sitting on their own little jetties.  They were anything but beautiful.  There were a lot of them.  Autumn thought they were just really stinky, and we laughed at the big fat ones sitting around sunning themselves.  Another watcher pointed out that “That guy just vomited on that other guy!” and sure enough, several sea lions were covered in chum.  I wish I’d caught it on video.

We ate lunch at the Hard Rock Cafe, beneath a large assortment of Beatles memorabilia, including a guitar and hat owned by George Harrison and Ringo Starr, respectively.  The kids thought it was cool to see a guitar belonging to the guy who sang that song from Cars (James Taylor), and they also thought that The Byrds should have spelled their name better.

It was a long walk down the rest of the Marina Road, but we walked to Fisherman’s Wharf and were promptly disgusted by the people eating fish and chips and the like comepletely surrounded by sea gulls and pigeons, and not minding.  Gross.  A really bad singer (his favorite word was something like “Meahgghhhh-eh”) entertained the crowds under the iconic “Fisherman’s Wharf” sign.

Crowded and yucky and bad art.  Yahoo!

But then we happened upon an oasis of wonder and imagination and cultural/historical significance: The San Francisco Maritime National Historic Park.  A living and working musuem honoring the city’s sea-faring old days, it featured real “national landmark” boats to walk on and explore.  Everything from an old schooner to a tug and a ferryboat.  And the kids loved it, earning Junior Ranger badges for their hard work in exploring the park.  (They also loved the actual beachfront in the park, being some of the only beachfront in the entire wharf area.)

A great family story occurred aboard one of the ships, but you’ll have to ask us to get us to share it. On the whole, it was an amazing National Park, and highly recommended, especially if you have children.  🙂

We went back to the hotel, changed clothes after a long and eventful day, and headed across the Bay Bridge, a 3 mile terror trip for Robyn.  (Who hates bridges and heights and really really likes it when they combine.)  We drove into Emeryville and an area that looked like “not a nice place.”

And ended up in front of Pixar Animation Studios.  It was a great great day.

(More to come.  Getting a little sleepy now.)

Road Trip 2009: Day Three

I never thought I could look at a tree and see the face of God.

Yesterday, (Saturday, August 1), we drove through the Redwoods National Park and saw some nice trees and some beautiful coastline.  We stopped at the Park Information Center and picked up Passport Books for August and Autumn, and the kids all got their books stamped and their Junior Ranger paperwork.

We were amazed to see the beach right there next behind the Park Information Center for the Redwoods National Park, but all in all, we thought we’d had a great view of the giants.

My mother had told me, “You have to go to the Humboldt Redwoods State Park to really see them,” and to be honest, I’d felt like ignoring her, as kids sometimes do to their mothers.  But she is a huge National Park fan, and she usually knows what she is talking about.  So we looked for something called “Humbloldt Redwoods State Park,” and eventually saw them.  A sign reading “Avenue of the Giants Scenic Byway” told us to get off the 101 and follow it south.

It was the best decision we made all day.

The trees were, simply put, amazing.  Trunks the size of our car, towering over us and reaching toward the heavens.  The sky was blue, the air was warm and full of the smells of pine needles.  We drove slowly, far below the 55 mile an hour speed limit, so we could drink it all in.  We left the windows down, took off the sweatshirts, and relished the warm, gorgeous day and the beauty of God’s creation.

Avenue of the Giants: A Glimpse of the Creator
Avenue of the Giants: A Glimpse of the Creator

We kept saying, “Yeah, this just happened.”

Looking at these trees, we could not help but be convinced again of the glory of God, to see His handiwork, and to be convinced that there is a divine Creator.  We couldn’t help but take pictures, to take movies, to capture as much of what we were experiencing so that someday we could remind ourselves of what we were seeing.

It took a couple hours.  We ate lunch at the State Park Visitor Center (and experienced a minor accident as Austen was pushing the stoller across the field and didn’t see a hidden sprinkler hose, thus upsetting the stoller and giving August a big scare–he espcaed with only a very very tiny bruise on his forehead and was back to his normal happy self again in a couple minutes), and stopped at a all the “Auto Tour” spots along the trip.

It was amazing to see that invividual people had purchased as much of the forest as possible to save them–and that some even convinvced timber companies to not log until they could buy the land–long before they became protected.  What a picture of working together, and good for the invidividals–and the logging companies.  A final parcel we stopped at was the Colonel Raynal C. Bolling Grove–named and purchased in honor of the first US officer killed in World War I, and took some pictures–did a small hike–and figured it would take 14 of us to wrap our arms around one tree.

The rest of the journey was beautiful–a drive through Sonoma Wine Country was really quite lovely, and we vowed to come back someday, without kids–and dinner, at the one and only In-N-Out Burger was everything I knew it would be.  (Amazing how one bite of a Double Double  takes me back to my first bite as a freshman at Biola.)

We drove across the Golden Gate Bridge into San Francisco (the weather was slightly cloudy but the bridge beautifully jutted out of the bay and into the sky), and got to our hotel.  After a cold swim in a warm pool, it was time for bed.

Avenue of the Giants: Reaching Out for the Invisible God
Avenue of the Giants: Reaching Out for the Invisible God

But I don’t think I’ll ever be the same after seeing the wonder of the trees.  To see them was to see one more proof of the handiwork of my loving God.  We are truly blessed.

Road Trip 2009: The Second Day

After a great first day, we got off to a slow start again on the second day.

We slept in a bit, ate an awkward breakfast with the rest of the residents of the Comfort Inn–awkward because we are a family of six being forced to sit and eat at a table created for four.  We made it work, and the kids enjoyed making their own Belgian waffles.  Robyn and I were both amazed at how much food Austen could eat: poppyseed muffin, bowl of cereal, biscuits and gravy, a Belgian waffle, glass of juice and a glass of milk.  Where does it all go?

Robyn took the kids to enjoy the sites in Seaside while I took the car over to get an oil change.  The light had been on for awhile, and I didn’t want to put another several thousand miles on the car without getting it done.  I was 1/2 a quart low, so I guess that was a good idea.

We finally pulled out of Seaside at about 11 and headed south down Highway 101.  It was so beautiful–the sun was shining off and on, and we managed to stop at several beautiful spots heading south.  We looked for One-Eyed Willie’s ship near Haystack

Audrey and AUsten at Haystack Rock.  Where is One-Eyed Willie?
Audrey and AUsten at Haystack Rock. Where is One-Eyed Willie?

Rock in Cannon Beach, stopped in Tilamook to eat a picnic (actually stopped twice–the first place, a riverside park, was full of bird poop, bugs, and everyone got the heebie-jeebies; the second place smelled like a dairy farm, but was quite pretty, and the kids had a great time running around), and oohed and ahhed over the amazingly beautiful “Devil’s Churn,” which the kids loved, too.

Robyn drove the last leg of the trip and we all played “Name That Tune” with the iPod.  I am amazed at how good my kids are at knowing movie themes, Disney songs (including obscure ones like “Quack Quack Quack Donald Duck” and the theme from “The Swamp Fox”), and showtunes.  We played for close to two hours, and kept our eyes on the beautiful shoreline of the Oregon coast.

We entered California as the sun set and headed happily to our hotel in Crescent City.  At about 9:30 pm, we pulled into the parking lot of the Northwoods Inn and I went in to check in.  We’d made our reservation over a month ago, so I wasn’t worried about anything–until the hotel night manager said, “I’m sorry, we had to give away your room.”

I looked at her.  “What?”

“Yes, I’m sorry, but we had to give away your room.”

“But I had a reservation.”

“I know.”

“Then we should have a room.  That’s why I made a reservation.”

“I know how a reservation works.”

“I don’t think you do.  Anyone can take a reservation.  It’s the holding of the reservation that is so important.”

Yes, it turned into a surreal Seinfeldian nightmare, but she had definitely given away our room and we had nowhere to stay.  We found a room at the Super 8 next door (why are they called “Super?”  That is false advertising).  It was pretty gross, but better than the last Super 8 we had stayed in outside of Cody, Wyoming nearly 3 years ago.  At this point, we just wanted a bed.

The air conditioning didn’t work, and I’m pretty sure there were a lot of hidden stains on the blankets, but at least they were beds.  Thank goodness we brought our portable fan–eventually we fell asleep.  After closing the window so the smoke from the smoking rooms didn’t make us all smell like, well, you know.

Long day.  A little diappointing at the end, but at least we slept safely and paid a lot less than we could have.  Luckily, we experienced the Devil’s Churn, and for me and the kids, that was a major highlight!

Road Trip 2009: The First Day

After getting a lot of stuff done to prepare ourselves for the first day of the big trip (and leaving a few items behind), we hit the road at about 2 pm.  Traffic was slowly starting to get a little crazy, and I was already itching to get off the interstate.  One thing we learned from our big trip in 2006 was that we enjoy driving America’s highways so much more than the crowded and fast-moving interstates.  (Something I have in common with the denizens of Radiator Springs from Pixar’s Cars.)

The official playlist for the first leg of the trip was a collection of “Road Trip” songs I had made for my dad several Father’s Days ago: “Holiday Road” from Vacation, “On the Open Road” from A Goofy Movie, “Ventura Highway” by America, “Route 66” by Chuck Berry, “Travelling Man” by Ricky Nelson, and many others.  Nothing like great “road” songs for that first part of the trip.

Once we hit Highway 101, we hit the ocean clouds and enjoyed a drop in temperature of 20 degrees.  What a relief from the 100 degree weather of the day before!  Nice clouds, kids being quiet in the backseat, a beautiful woman beside me, and great tunes on the stereo: perfect.

We stopped at the wonderfully named “Dismal Nitch” rest stop right before crossing into Oregon.  It was named because of something from the Corps of Discovery’s Expedition (Lewis and Clark), and the ocean air coming in from the mouth of Columbia would certainly make me feel dismal if I had to stay there for too long.  I am not sure, however, what a nitch is.  I will look it up later.

Crossing the Astoria bridge, the kids came to life, since we vacationed for a couple days here two years ago.  They remembered going to the Astoria tower, the “Goonies” house, and the trolley.  We kept on down the road toward Seaside, where we spent July 4th 2 years ago.  Found a nice hotel right on the river for a good “walk-in” price, and readied ourselves for dinner.

Old friends from Overlake, Randy and Madelyn Harris, had invited us over and we spent a wonderful evening with great friends.  Their daughters and our kids played wonderfully together, the food was absolutely amazing, and we enjoyed the view of the beach from their house.  Coolest thing: right next door to their house is the smallest National Park in America!

About the size of a bedroom, the Lewis and Clark Salt Works National Park is where the Corps of Discovery boiled salt water to make salt during the winter of 1801.  Pretty awesome, and so cool–living next door to a National Park!  How awesome is that!

After a great evening, came back to the hotel where we all fell asleep pretty quickly.  It was a great start to what I’m certain will be an amazing week!

The Demon Barber of Fleet Street

He shaved the faces of gentlemen who never thereafter were heard of again.  He trod a path that few have trod.  Did Sweeney Todd.  The demon barber of Fleet Street.Sweeney Todd Film Poster

Finally got around to watching Sweeney Todd, the Demon Barber of Fleet Street the other night.

It’s one of my favorite Sondheim shows, and I’d been awaiting a film version for years.  Tim Burton seemed like a good choice for director, and the casting of Alan Rickman and Johnny Depp seemed to seal the deal, although I had my doubts about Mr. Depp’s singing abilities.  The main character’s songs had pracitically sidelined the original Sweeney, the amazing Len Cairou, for a decade, and I knew Johnny didn’t have the pipes of a Broadway star.  The big question marks in my mind were Sascha Baron Cohen and Helena Bonham Carter as Pirelli and Mrs. Lovett, respectively.  How would they hold up?

Surprisingly well.  While Ms. Carter is hardly a vocalist, she acquits herself well in the role originated by Angela Lansbury (whose performance in the original show is pretty much her greatest ever, and she played the original Mame).  Mr. Cohen does a fine job as the Italian barber, but does not have quite the sonorous tones required to play the operatic character, which is probably why they eliminated all of the soaring opera-style lines and allowed him to sing in baritone throughout.

The movie itself is a wonderful translation of the stage show, albeit a bit gory once Sweeney begins plying his trade in Act Two.  A film adaptation of a stage musical works if it “opens’ up the world of the original work, and this one works quite nicely.  Whether it’s the arrival of Sweeney and Anthony aboard the ship as they sing “No Place Like London” to the restaging and reimagining of “Johanna,” everything works.  I especially liked the way “A Little Priest,” one of the most delightfully filled with wordplay songs ever composed was brought to life as Mrs. Lovett and Sweeney sing about the people outside her pie shop.

The casting of Toby as a young boy (as opposed to the young teen in most stage adaptaions) gives his story and character much more pathos, and although he is no Victor Garber, the young man playing Anthony is quite good.  Timothy Spall is wonderfully slimy as Beadle Bamford.  The whole thing is beautifully sung and acted, but the subject matter–well, it is exactly what you think it is, and it just gets nastier as it heads along.  But the songs–these are some of Sondheim’s most wonderful works, and they shine no matter the setting.

“Not While I’m Around,” “Johanna,” and “Pretty Women,” are all incredible songs. Beautiful, haunting, and poignant.  And all have lives outside of the horror story that is Sweeney’s life.  I’ve sung “Not While I’m Around” in a completely different context, but when it’s sung by Toby to Mrs. Lovett, worrying that Sweeney might do her harm–well, the “demons are prowling everywhere, nowadays” line makes a lot more sense.

The only drawback for me?  The elimination of “The Ballad of Sweeney Todd,” which opens the show and introduces the main character (although it is used as an instrumental over the opening credits), and is used by the “chorus” to comment on Sweeney’s actions throughout the rest of the musical.  It’s a sad cut, especially at the end, when the “moral” of the original musical is lost.  What ended as a reminder to all of us to be careful about revenge and forgiveness and bitterness, otherwise we might become “Sweeney” ourselves, just simply fades to black.

But that’s just nitpicking.  The film is wonderful.  Depp is amazing.  Rickman is fantastic as usual, and Ms. Carter, while no singer, brings a tenderness to the role of Mrs. Lovett I hadn’t expected.  So, what should you do?

Attend the tale of Sweeney Todd.  He served a dark and a vengeful god.  What happened then?  Well, that’s the play, and he wouldn’t want us to give it away.  Not Sweeney.  Not Sweeney Todd.  The demon barber of Fleet Street.

“Good” Friday?

It’s amazing to me that this is the word we have used to describe the upcoming day of Holy Week.good-friday

Good.

The same word we use to describe a sandwich, or a movie, or a credit rating.

Good Friday?

A few years ago, circumstances in my own life caused me to confront the enormity of what happened on that day.  I was in a deep moment of personal crisis.  An opportunity to find release from bondage, to feel the prison doors thrown open and the light of the sun on my face.  What had held me back for so long was ripped from my shoulders.  The shackles that had bound me in the prison of my own making were loosed, and I was set free.  And it happened during Holy Week, which led me to really think about what Good Friday was actually all about.

This “good” day was actually a battle for freedom.

A battle that was fought to give us freedom–an epic, final moment in the battle for our souls.  A man like no other, a man who held divinity in his hand and yet handed it willingly over to the Father, chose to enter the fray and fight. Christ, looking through time, saw each of us and willingly (after much arguing in the Garden, where he finally was able to say “And yet, not my will…but yours…” which I swear is probably the hardest thing anyone ever has to say) gave himself up to the torment and torture, to the utter loneliness of rejection from everyone he held dear.

His friends ran away.

His mother could only watch and weep.

And his Father, with whom he had spent every moment of eternity–from the eons before “Let there be light” to the journeys with Abraham and Moses and David up to the first Roman nail ripping flesh–turned his back, heartbroken, leaving his beloved son alone.  The abandonment was so great that Jesus cried out, “My God, my God!  Why have you forsaken me?”  And yet, it wasn’t the nails that kept him there.  It was his love.

Ineffable love.

Love so great that it is nearly impossible in human words to describe it.

Good Friday?

Let’s be done using such a wimpy word to describe something as great as this day.  It’s the Battle of Agincourt.  It’s the Battle of the Pelennor Fields.  It’s Normandy.

You understand what I mean.  No one could describe these battles as good. They were dreadful and horrible and bloody, but because of these battles, peace and life and hope were restored.  The outcome was life-changing, but the day, with the bloodshed and torment, was hardly good.

So, as I prepare to enter the last several days of Holy Week, I know that my Lord went through hell for me to be where I am today: forgiven, washed in his blood, and full of his grace.

The Hand of God

The Hand of God?
The Hand of God?

This image has been making the rounds recently, and it’s quite an amazing one. This kind of thing just blows my mind, but helps me again come to the realization that there’s no freaking way everything we know about the universe could have just happened by accident.

This is actually an x-ray photograph of something called a pulsar, a tiny, dying, but still-powerful star. They spin like crazy and light up the space around them. It’s official title is “PSR B1509-58,” but I like to call it the “Hand of God.”

The scene, which spans 150 light-years, is about 17,000 light years away, so what we see now is how it actually looked 17,000 years ago, and that light is just arriving here.

Wow. My mind is blown away by stuff like this. But still, looking at, it’s hard not to wonder if this maybe isn’t just a cosmic Polaroid of what went on the day God created the heavens and the earth. We may be small, but we have a very very big God.

You Don’t Have to Buy Anything! I Get Paid Just for Showing It to You!

These are words that will forever haunt me.

I learned them during the summer of 1991, when Bryan Adams’ “Everything I Do (I Do It for You)” was all over the airwaves, when City Slickers was tops at the box office, and my brother and best friend and I were all hungry college kids looking for work.

We’d tried everything, interviewed like crazy, and then saw an ad with these enticing words: “Summer Work!  $15/hour!  Perfect for students!”  Wow.  We were desperate, needed to make money during the summer to take back to Biola University, and this looked amazing.  I was designated the spokesman for the three of us, which was weird, because at this point in my life I was still suffering from a strange talking-on-the-phone phobia.  I called a place called “Vector Marketing,” and talked to an enchanting young lady who asked me about myself, my friends, and was so excited to hear that students of our caliber were interested in pursuing their opportunity.  She set up an interview for us for the following day and gave us directions to their office.

We dressed for success.  Slacks, ties, sports coats.  We wanted to present the right appearance for this interview–we really wanted that $15/hr job.  All of our money woes for the entire school year would be taken care of with just a couple months of work.  We left early to beat the traffic and drove to the grey offices of Vector Marketing.  It took awhile to find, but finally, there it was: beneath the I-5 bridge over Lake Union, amid a bevy of marinas, docks, and just down the street from the world-famous Ivar’s Salmon House.  It was not the most exciting or thrilling location, but we parked in the vacant lot across the street and went in for the interview.

The young lady who interviewed us was charming, and not much older than the three of us.  She was impressed by our quality, by our professionalism, and said we would be perfect for a role with Vector Marketing.  We would be hired as independent contractors by them and our job would be sales.  Out of the three of us, I was the only one with any sales experience, my first job in high school having been at the local Christian bookstore chain.  And it didn’t pay nearly so well–this was going to be amazing.  We signed the contract and promised to return the next day for our first session.  “We’ve interviewed a lot of other people for these jobs and they didn’t make the cut,” she said.  The implication was clear: we were awesome and were going to be the future of Vector Marketing.

“You’ll meet the rest of the team tomorrow,” she said.  “You’ll love them.”logo_home1

With visions of huge checks in our heads, we went home and called all of our families and said we had good jobs and were going to make a ton of money.  “Where are you working?” was the big question, and when we said, “Vector Marketing,” most people said they had never heard of it, but were glad for us.  We went to bed that night excited about our first day of training–we couldn’t wait to see what we would be selling and what the job itself would entail.

We pulled into the vacant lot again–I remember hearing Amy Grant’s “Baby Baby” on the radio–and got out of the car, psyched about the day.  As we crossed the street we saw what must have been our fellow Vector Marketing employees walking to the office as well.  It was quite an interesting assortment of people–old women, college students, professional looking people and people who looked they had just purchased their ties from Goodwill.  There was even a one-armed man wearing brown polyester pants, a yellow-tan shirt, and a black and brown tie.  This looked great with his huge afro.  He smiled and said hello, and we all said a friendly howdy as well.  I recalled the comment from the interview about how we had beat out a bunch of applicants because we were so professional.  I didn’t feel quite so good about that comment any more.  If the man in the polyester pants was as professional as me, I had sorely overestimated my understanding of what “professional” meant.

“Jeez–I wonder if they turned anyone down,” said my friend.  From the look of the people walking into the office with us, it was clear that “didn’t make the cut” actually meant “they were dead, so we couldn’t hire them.”

The office was set up differently than it had been for our interview.  Now there were rows of folding metal chairs, all facing a big whiteboard.  We dutifully took our seats–my brother sat across the aisle from the one-armed man–and waited for training to begin.  An older man–probably my age now, but I remember him as being much older–came in and mumbled something about how great we all looked–he must have been older than me, because it was clear he was losing his sight–and then said that a real “go-getter” named Tim was going to be our primary trainer and we were all really gonna love him.  “How ’bout a big hand for Tim!”

Tim got a big hand, especially from the one-armed man who clapped hard on his leg.  Tim ran from the back of the room to the song “Everybody Dance Now!” and he was clearly jazzed about his awesomeness.  “Hey, how are you guys all doing today?” he asked and then proceeded to tell us just exactly how awesome we all were and that we were on the verge of making the most money we had ever made in our lives.  And the product that was going to change our lives forever?

Knives.  Knives. The next hour and a half was a whirlwind of knife lore, education, and demonstration.  We learned that Cutco knives were the greatsest knives in the world.  We learned that the kitchen shears could cut through a penny.  We learned that the knives were special because they had the “full-tang, three rivet construction” that made them durable and easier to use than cheaper knives.  We watched as he used the famed “patented Double-D edge” to cut through a piece of rope.  It was amazing.  Amazing! It was like a Ronco commercial come to life.  (Remember those ads, the ones that showed knives doing the same thing the amazing Tim was doing?  Ronco, however, sold the famous “Ginzu” knives, famous the world over as the knives of ninja cooks.  Or something like that.)

After Tim finally wrapped up, we took a quick break and mingled with the our coworkers.  We discovered that the the one-armed man had the worst body odor we had ever smelled.  Out of the place that did not have an arm, he had the worst possible armpit odor.  It was horrifically bad.  But at least he seemed friendly.  Much better than the guy who was demonstrating his kickboxing ability and telling us this was going to be the sport of the future.  He swiftly performed a poorly-executed roundhouse and knocked a sales trophy off of the panelled walls.  The three of us looked at each other–warily.  But that money was still looking good.

Tim and the gang came back up to the strains of “I’ve Got the Power” and he kind of sang along with the section that went “It’s gettin’, it’s gettin’, it’s gettin’ kinda hectic.”  Then he threw a black marble at us.  And another and another and yelled out, “You earn these marbles and you’ll get rewards!  You sell enough, you’ll get these marbles!  Come on!  Don’t you want to earn these marbles?  Come on!”  He kept throwing marbles and suddenly the chairs went flying as adults went diving for black marbles.  The one-armed man and the kickboxer went to town on each other, grabbing at marbles.  Strangely enough, the kickboxer was losing.

We were right in the middle of the marble mayhem. We grabbed marbles, went crazy, and when were down on all fours we suddenly looked at each other in the face and went, “What just happened?”  But before we could question our sanity, Tim called us all back to our seats and promised even more rewards at the next training session.  We just had to spend some time getting our demo kits ready and went to do the paperwork.  We sat down with the girl who interviewed us, who showed us the kits.  The kits contained a full set of Cutco knives, each with the world-famous patented Double-D edge, full-tang, three rivet construction.

“It will cost you $145 for each set,” she said. “So make sure you get that money to us by Monday.”

We looked at each other and wondered when they were going to let us know about that.  “Uhm…how much?”

“$145.  But the set is worth $1000, so it’s really a good deal for you.  You’ll need it to be able to do the demonstration.  And always use your script.”  She haded us the scripts, which we were to use when we made our appointments.  The appointments we were supposed to set up with the list we had filled out earlier in the day, a list of family members and friends, since, in their words, these would be ideal for us to practice on.

We took the sets.  We took the scripts.  Our pockets were full of marbles.  And success loomed.  We said goodbye to the one-armed man, the kickboxing champ, and the various other friends we had made.  We were on our way home to make appointments and get ready for the next training session on Monday.  The whole way home, my brother sat in the backseat.  He was acting strange.  He was kind of muttering to himself.  It sounded like he was saying, “I can’t do this.  I can’t do this.”

It got worse.  While I was on the phone with a close friend, asking if I could show her the knives–being careful to use the script, which included the immortal line, “You don’t have to buy anything!  I get paid just for showing it to you!”–my brother lay on the floor in the family room.  He was moaning now.  “I can’t do this.  I can’t do this.”  And then suddenly, I realized he was crying.  “I can’t do this…”

My friend and I looked at each other.  He was right.  There was no way we could do this.  Marbles.  One-armed men with horrific body odor.  Knives.  The patented Double-D edge with the full-tang, three rivet construction.  Kickboxing.  Stained carpet.  Grey offices.  Bad panelling.  We just couldn’t do it.  My brother insists he didn’t really cry, but we know.  We both know.  It was better to not work the rest of that summer than it would have been to go back to Vector.  We called them on Monday morning and said we’d be bringing the knives back.

We dropped them off, said goodbye, and hoped we would never see them again.  We didn’t.  I drove by their old office last week.  It’s gone.  Probably moved to some other office of ill-repute, full of hopeful college students and other insane people.  In my imagination, I can see them.  Diving for black marbles.  Arms–or lack of arms–flailing.  And the full-tang, three rivet construction of the patented Double-D edge slices through each marble like a grape.

And I smile.  I was young and foolish then.  Thank God I wasn’t too foolish.

Author’s note:  This has become a favorite family story over the years.  I have never written it down before, but was prompted to after one of my former students interviewed with them recently.  I hope her experience was better than mine.

Musical Theatre Apprecation 101: Into the Woods

I’m a huge fan of musical theatre and find one of my callings in life to be the ongoing education of everyone I know on just why musicals are so freaking awesome. So this is going to be the first in an ongoing series of posts on individual musicals in hopes that you will be educated, inspired, and hopefully check out the cast album and seinto_the_woods_postere what all the hoopla is about.

Today, we begin with my all-time favorite musical, Into the Woods.  With music and lyrics by Stephen Sondheim and a book by James Lapine, this is one of those musicals that makes a good “first step” for many people because it tells a familiar story in a new and unusual way.  Originally presented on Broadway during the 1987-1988 season (which also saw the premieres of The Phantom of the Opera and a fantastic two-person chamber musical called Romance Romance), it was a huge hit and won the Tony Awards for Best Actress, Best Book, and Best Music/Lyrics.  It unfortunately lost to Best Musical to the juggernaut that was Phantom, although I take umbrage with that–after all, how can a musical have the best story and best songs and not be the best musical?  Hello?

Anyway, the musical is a wonderful pastiche of the stories of Cinderella, Jack and the Beanstalk, Little Red Riding Hood, Rapunzel, and two new characters (staples of fairy tales), a childless baker and his wife, who just happen to live next door to a witch.  Each character, for a myriad of reasons, is called to go “into the woods,” with the connection to all of them being the quest the witch sends the baker on.  If he finds the cow as white as milk (Jack’s cow), the cape as red as blood (Little Red Riding’s Hood), the hair as yellow as corn (Rapunzel’s hair), the slipper as pure as gold (Cinderella’s shoe) before the time of midnight in three days’ time, she will lift the curse she placed on his house years ago.

Although the songs and characters are some of Sondheim’s most accessible, this is still not an easy musical.  It’s very funny, and James Lapine’s book probably doesn’t get as much credit as it deserves.  But the songs are really what make it stand out.  The repeating “I wish” refrain, which is the predominant theme of the musical–as well as the consequences of wishing–in the opening prologue is a wonderful link to the stories that follow, and the “title” song, with the repeating refrain “Into the woods…” is very reminiscent (purposefully so) of Disney songs of the early 1940’s.

One of the highlights of the musical numbers is the lyrically dense song, “On the Steps of the Palace,” which is sung by Cinderella.  Unlike the original fairytales and most adaptations, this Cinderella is not really sure if being pursued by a prince is what she wants.  Like many of us, she longs for something different than her current situation, but doesn’t really know just what that different thing is.

He’s a very nice prince.  He’s a prince who prepares!
Knowing this time I’d run from him, he spread pitch on the stairs.
And I thought, “Well, he cares!
This is more than just malice…
better stop and take stock as you’re standing here
stuck on the steps of the palace.”
You think, “What do you want?”
You think, “Make a decision!”
Why not stay and be caught, you think-
-well, that’s a thought, what would be his response?
But then what if you knew who you are
and you know that you’re not what he thinks that he wants?

Consistently second-guessing herself, Cinderella eventually makes the decision to make no decision–she’ll leave a shoe and let the prince decide.  The song is a lilting, lyrically-heavy piece.  A standout for any soprano soloist, “On the Steps of the Palace,” is one of the best songs in the show.  A lyrical masterpiece, it takes the preconceived notions we have of Cinderella and upends them beautifully.

Other highlight songs include “Giants in the Sky,” sung by Jack (of Beanstalk fame), “It Takes Two,” which has one of Sondheim’s best rhyming couplets as its last line, “Children Will Listen,” which summarizes the deeper theme of the show, and the standout, “No One is Alone.”

I’ve used this song in a musical review, and I put it in the context that you are not alone (which the song says)–meaning someone is always with you, that we are all connected.  The bigger idea of the song, however, is that because we are not alone, we can’t act as if we’re the only ones out there.  Everything we do happens in context–the actions we take against someone else will affect not only us and them, but multiples of people.  In that idea, beyond just being a comforting song, “No One is Alone,” becomes a powerful reminder of the duty we all have to act in good faith with others:

People make mistakes!  Fathers!  Mothers!
People make mistakes!
Holding to their own.
Thinking their alone.
Honor their mistakes!  Fight for their mistakes!
One another’s terrible mistakes!
Witches can be right.  Giants can be good.
You decide what’s right.  You decide what’s good.

And then, the cautionary:

Just remember: Someone is on your side, someone else is not.
While we’re seeing our side, maybe we forgot: we are not alone.

Ironically, the song is sung as the Baker, Cinderella, Jack, and Red Riding Hood wait to kill the giant’s wife.

Cinderella’s indecision, the Baker’s heart’s desire come true also bringing about bigger issues in his marriage, the Witch getting her wish but losing her powers, the loss of life and love.  All of this is summed up in the song “Children Will Listen,” where the cast reminds the audience to be careful what they wish for.  “Careful the tale you tell, that is the spell.”  After a reprise of the “title” song, after all that has transpired, Cinderella, like all of us, cries out again, “I wish!”

61ow2jiiokl__sl160_aa115_The original Broadway cast recording of this show is far superior to the London cast or the later revival.  Bernadette Peters, Joanna Gleason, Chip Zien, and Tom Aldredge are amazing in this show, as are Kim Crosby, in her first Broadway show as the clumsy and befuddled Cinderella, and Robert Westenberg as both Cinderella’s prince and Red Riding Hood’s wolf.  (The two later married and have lived, unlike their stage counterparts, happily ever after.)

The original show was filmed for PBS’ Great Performancesboth in front of a live audience and in an empty theatre for close ups.  It’s rare to get to see th61htvqnbp1l__sl160_aa115_e original cast of a show performing live–and even better, on the original stage.  This is Peters at her best, Gleason (who won the Tony that year) just shines in her role as the Baker’s Wife, and Zien can be seen as the underappreciated talent he was that year (he lost Best Actor to the unstoppable Michael Crawford and Phantom).  My favorites, however, to see live are Westenberg and Crosby, and they make the darker aspects of this story much easier to handle with their wonderful performances.  This recording was released on DVD.