My Favorite Disney Songs

Many people may be aware that I’m a big fan of all things Disney.  I love Disney films, Disney music, Disneyland, Disney Stores, and once considered naming my first born son Walt.  (I didn’t.)

I love songs from the Disney films.  My collection of Disney music and Disneyland songs is more than 10 GB in size, meaning i have nearly six whole days’ worth of music to listen to on my iPod.  It’s a lot of fun and many of the songs and music bring back a lot of memories from my own childhood and from memories I’ve created with my own kids.

Here are my current top 20 favorite Disney film songs.  (Some of these change from year to year, but the number one song has been the number one song for a long time.)

20. “That’s How You Know” from Enchanted
(Music by Alan Menken, Lyrics by Stephen Schwartz)

Enchanted was a great film that took the Disney animated princess and put her into the real world.  Played with great charm (and a great singing voice) by Amy Adams, who was radiant in the film, it had great songs by the team that had created Oscar-winning songs for Pocahontas and The Hunchback of Notre Dame.  This is the best production number in a musical in years, and it’s easily the most charming song from the film.  (It was also my ringtone for my wife–a great reminder to make sure she knows I love her.)

19. “My Funny Friend and Me” from The Emperor’s New Groove
(Music and Lyrics by Sting)

It’s easily the funniest Disney animated film, sadly underrated at the end of a great run of Disney films in the 1990’s.  The film went through several changes in its production, eventually becoming the witty and quite funny story of a spoiled king who gets transformed into a llama.  It was originally a musical, with songs by Sting.  Only a few songs remained in the final movie, with the highlight being this Oscar-nominated song, a celebration of friendship.

18. “On the Open Road” from A Goofy Movie
(Music by Tom Snow, Lyrics by Jack Feldman)

A Goofy Movie is a “slight” Disney film, inspired by the 1990’s TV cartoon, Goof Troop.  All about a road trip Goofy and his son Max take on the road to see the rock star Powerline perform in Los Angeles, it’s a cute–albeit somewhat forgettable–film.  It does feature some great songs (including “Lester’s Possum Park,” a spoof of Disneyland’s “Country Bear Jamboree”), especially this celebration of “getting out on the open road.”  (I like Goofy’s keychain.)

17. “Family” from James and the Giant Peach
(Music and Lyrics by Randy Newman)

A stop-motion animated version of Roald Dahl’s classic book, with character designs by Caldecott Medal winner William Joyce (whose book A Day With Wilbur Robinson would inspire a later Disney film), James is a wonderfully sweet film.  Great vocal performances by Richard Dreyfuss, Susan Sarandon, Jane Leeves, and others–along with some wonderfully catchy songs by Randy Newman–only add to the charm.  This is the best song from the film.

16. “Little Wonders” from Meet the Robinsons
(Music and Lyrics by Rob Thomas)

Easily one of my favorite pop songs of the past several years, Rob Thomas’ song for a truly underrated Disney film, is one with many personal connections.  Several years ago, one of our best friends passed away and the words to this song were quite comforting.  A year ago, my mother-in-law passed away, and I realized this song would be perfect for her memorial video.  Coming where it does in the film, it’s a perfect reminder to keep moving forward–to realize that where you are now is not where you will be in the future.  This song should have been nominated for an Oscar.  (If you haven’t seen Meet the Robinsons, you need to.  Easily one of Disney’s best films.)

15.  “Prince Ali” from Aladdin
(Music by Alan Menken, Lyrics by Howard Ashman)

One of the great films from Disney’s third Golden Age, Aladdin is funny, sweet, and full of great songs (3 were nominated as Best Song that year) with Alan Menken and writing parnter Howard Ashman at the top of their game.  My favorite song from the film is the catchiest of all, performed memorably by the amazing Robin Williams in his greatest film performance.  “Make way for Prince Ali!”

14. “Jolly Holiday” from Mary Poppins
(Music and Lyrics by Richard M. Sherman and Robert H. Sherman)

It was easily Walt’s greatest film achievement, which should have beat the inferior My Fair Lady for Best Picture.  Better acting, better songs, and a sheer joy from start to finish, Mary Poppins is a film that only gets better with time.  The performances of Julie Andrews and Dick Van Dyke (even with his horrible Cockney accent) are top notch, supporting performances by David Tomlinson and Glynis Johns are spot on–and the music is perfect.  Practically every song has become a Disney classic, and for good reason.  This is one of my favorites, because it combines all the elements that make it a Disney classic.  (Fun side note, Ub Iwerks, who was the first animator of Mickey Mouse, developed the process that allowed Bert and Mary to interact with the animated characters).

13. “Kiss the Girl” from The Little Mermaid
(Music by Alan Menken, Lyrics by Howard Ashman)

I still remember watching this film at the Cinerama theater in Hollywood when it opened in 1989.  After the “Under the Sea” song finished, the audience burst into applause, as if watching a Broadway musical.  It was surprising, beautiful, wonderful–a moment of Disney magic that we hadn’t seen in a film since the animated musicals of the 1950’s.  But as great as that song was, my favorite song from Mermaid is this one.  The calypso beat, great visuals, and a wonderful performance by Samuel E. Wright as Sebastian, make this a true classic.

12. “Heigh Ho (The Dwarfs’ Marching Song)” from Snow White and the Seven Dwarfs
(Music by Frank Churchill, Lyrics by Larry Morey)

Walt’s first animated feature was the first film musical to integrate story and song seamlessly.  Every song flowed out of the action and helped the story along.  Not a single song was there “just because.”  There’s a reason many of the songs are classics today–they are memorable, beautiful songs (“Someday My Prince Will Come,” “Whistle While You Work,” “With a Smile and a Song” are a few others).  This is my favorite song from this masterpiece.  It introduces the film’s best characters in a great, fun, and truly beautiful sequence.

11. “Jack’s Lament” from Tim Burton’s The Nightmare Before Christmas
(Music and Lyrics by Danny Elfman)

A film that Disney had no idea what to do with when first released in 1993, Nightmare was a box-office disappointment.  In the years since, it has obviously become considered a Disney classic, with its macabre characters becoming as loved as Mickey and Tinker Bell.  It’s also a great musical, with every song advancing the story beautifully.  The main character, Jack Skellington, has most of the songs, including this one–his “Hamlet’s Soliloquy” moment–sung with great aplomb by composer Elfman.  Who hasn’t felt like Jack at least once in his life?

10. “You Can Fly! You Can Fly! You Can Fly!” from Peter Pan
( Music by Sammy Cahn, Lyrics by Sammy Fain)

Disney’s version of Peter Pan was the first film version of the story to actually have a boy play the title character.  It’s a wonderful Disney classic with great characters, beautiful animation, and very memorable songs–especially this one–written by Tin Pan Alley masters of popular song Cahn and Fain.  The story-song portrayed in this song is wonderful (I love the bit when Michael sprinkles pixie dust on Nana), and it is beautifully sung by the Jud Conlon Chorus.  A great “old school” Disney song.

9. “Down in New Orleans” from The Princess and the Frog
(Music and Lyrics by Randy Newman)

Disney’s first hand-drawn animated film since Home on the Range, this was Disney’s first great film musical in years, featuring a wonderful jazz and bayou flavored scored by Randy Newman.  The title song, sung by Dr. John, introduces the main characters and also one of the main themes (‘get what you want but lose what you have’) of the film.  It didn’t do as well in theatres as it should have, but it’s a Disney masterpiece, directed by the great John Musker and Ron Clements.

8. “Not in Nottingham” from Robin Hood
(Music and Lyrics by Roger Miller)

One of Disney’s “worst” animated films yields one of its greatest songs.  Robin Hood is notorious for its recycled animation from other films, but it was my favorite movie as a kid.  I loved the animals as the main characters (great design work by Disney Legend Ken Anderson), and the songs by country-folk legend Roger Miller are all memorable.  This song, highlighting the depression of life under the rule of dictator, is sad, melancholy, and beautiful.  Not one of the ones most people choose, I loved when Los Lobos recorded it on their “Los Lobos Does Disney” album.

7. “I See the Light” from Tangled
(Music by Alan Menken, Lyrics by Glenn Slater)

Another great song from a recent Disney film, this was deservedly nominated for an Oscar.  Tangled is a poorly named masterpiece, hearkening back to the wonderful Disney films of the early 1990’s, and the songs, animation, story–all are top notch.  Disney’s highest grossing non-Pixar animated film in years, it was a well-deserved box office smash.  There are lots of great songs, but this one is easily my favorite, beautifully sung by Mandy Moore and Zachary Levi.

6. “Baia” from The Three Caballeros
(Music and Lyrics by Dorival Caymmi)

One of the best musical features from Disney, The Three Cabaellros featured songs from great South American composers.  Many of the songs, including “You Belong to My Heart” and this one, become Top 10 hits in the 1940’s.  I love the movie for its inventiveness and sometimes stream of consciousness animation sequences, but also for moments like this.  Baia is a beautiful song, sung by the Brazillian parrott, Joe Carioca (who continues to be a huge Disney character in South America), with art and animation inspired by the art direction of Mary Blair, a Disney legend whose work inspired the design of Cinderella, Peter Pan, Alice in Wonderland, and the Disney attraction It’s a Small World.

Bonus: “Have You Been to Baia” which comes right after that song.  I like this one, too.

5. “When You Wish Upon a Star” from Pinocchio
(Music by Ned Washington, Lyrics by Leigh Harline)

Easily one of the greatest Disney songs, it’s been the company’s “theme song” since the Disneyland television show of the 1950’s.  It’s also from my favorite Disney film (and one of my favorite films of all time).  It’s sung over the opening credits of the film by Cliff Edwards as Jiminy Cricket, and his performance of the song is perfection.  It’s been recorded and sung by lots of people, but it’s never better than when performed by that cricket.  (This was also the song sung at my wedding.  At Disneyland.)

4. “Our Town” from Cars
(Music and Lyrics by Randy Newman)

James Taylor’s performance of Randy Newman’s tender tribute to small town America made this one of the great moments in one of my favorite Pixar films.  The year Cars was released, we took a road trip across Route 66 and drove through many such towns.  The song made me cry then, and it makes me cry still.  A great song, a great scene, from a great film.

3. “Barking at the Moon” from Bolt
(Music and Lyrics by Jenny Lewis and John Powell)

Bolt may not be considered one of Disney’s greats, but it’s a charming and fun film with a great theme.  I loved the vocal performances, characters, and even the story of this movie (I’ve even blogged about it here before), but one of the things I love most is this song sequence.  It’s a great “road trip” song with a reminder that sometimes what makes home most is who we are with.  Yes, it may not be as great as “Part of Your World” or even “A Dream is a Wish Your Heart Makes’ to many people, but I think this is one great Disney classic.

2. “God Help the Outcasts” from The Hunchback of Notre Dame
(Music by Alan Menken, Lyrics by Stephen Schwartz)

One of Disney’s most beautiful songs, “God Help the Outcasts” is also one of its most haunting.  From a film that should have had more moments like this–and perhaps should have fully embraced its darker story of pain and redemption–it’s a beautifully sung and animated moment.  The dust in the light shining from the Rose Window is one of those under appreciated moments in animation.  Hunchback is one of my favorite Disney films of all time, and there are so many great songs (“Out There,” “Topsy Turvy” “Heaven’s Light/Hellfire”).  This is just one of them.

And, my favorite Disney song of all time:

1. “Little April Shower” from Bambi
(Music by Frank Churchill, Lyrics by Larry Morey)

It’s a beautiful moment in a film full of them.  Bambi lays down with his mother and a gentle rain begins.  The animation detail in the rain shower is simply amazing and as the storm progresses, the song and animation work hand in hand to bring it to beautifully to life.  Bambi is a film celebrating nature and showcases the Disney studio at the height of its genius in the 1940’s.  Within a two year period, Disney released Pinocchio, Fantasia, Bambi, and Dumbo.  Four masterpieces–any other studio would dream of having just one of these films.  “Little April Shower” is simply one of the greatest moments in Disney history, combining the masters of animation with a song worthy of their talents.

So…what are yours?



A Completely Subjective Ranking of Pixar’s 13 Films

UPDATED TO INCLUDE PIXAR’S 13th FILM, BRAVE.


Two of my former students, both fans of Pixar’s films, have recently created ordered lists ranking the 12 movies from first to worst.  I don’t think they got their lists right.  But, like I said in the title, lists like these are purely, completely subjective.  And I would like to begin with this caveat: I am a firm believer that Pixar makes better movies than any studio out there.  Their stories are second to none (with one exception), they don’t market their films based on celebrity voices, their attention to detail make every film a wonder to behold.  And their 100% hit record (every single one of their films has opened at #1 at the box office) and nearly flawless critical reception prove this.  Even their “worst” film is better than 99% of what everyone else puts out.  So, Tyler and Kevin, here’s my list:

13. Cars 2A major disappointment, and I’m a fan of the first Cars.  Watching the movie, I thoroughly enjoyed it.  It was funny, witty, and the spy caper was well done, and like any Pixar film, absolutely beautiful.  But, unlike every other film in their library, Cars 2 lacks that key ingredient: heart.  It’s a beautiful, fun, amazingly-welly done, and ultimately empty film.  It’s the first Pixar film that felt it could have been made by another studio.  (Ironically, it’s the first Pixar film directed by a former Dreamworks director, who made the abysmal Antz.  Rumor is that John Lasseter only stepped in to co-direct at the last minute when the film was losing its way–and the truth is that a huge portion of the film was made in under 10 weeks.  Brad Lewis has since left Pixar.  I think that says a lot.)

12. WALL*E
The first 40 minutes or so of Wall*E are some of the greatest minutes in film history.  A brilliantly acted and animated celebration of the art of pantomime, it is Chaplin-esque in its wordless robot hero–the last remnant of a human civilization that has destroyed the Earth through consumerism and has escaped to the stars–who falls in love with another robot sent back to look for signs of life.  Their wordless romance is cute, charming, and endearing.  It’s a brilliant film–until they go back to space and meet up with what’s left of humanity.  At that point, the charm is lost in a heavy-handed anti-consumerism, pro-ecology story–but it’s still better than anything else that came out in 2008.

11. The Incredibles

It’s the greatest superhero film ever made.  Better than The Dark Knight.  Better than Spider-Man 2.  Pixar’s 6th film is a tour de force of action, comedy, and every great James Bond moment that should have occurred in a film, but never did.  Featuring wonderful voice performances and great insights on what it means to be super (with big implications for contemporary society, which believes that “everyone is special” meaning that nobody is).  It’s a family comedy, a deeply emotional reflection on being what we’re created to be.  It’s also one of the most thrilling action films of all time.  There’s a reason its director, Brad Bird, was hired to direct the upcoming Mission: Impossible film.  Extra points for composer Michael Giacchino’s retro-styled, 1960’s Bond film score which made every moment that much better.  Sadly, it was ignored by the Academy.

10. Finding Nemo

Finding Nemo

A pursuit story, a breakout story, a father-son story, and one of the most beautiful films of all time, Finding Nemo was Pixar’s biggest hit when it came out in 2003.  Critically acclaimed, it surprised everyone in that a big fish story could find such deeply emotional resonance with audiences of all ages.  Gorgeous to look at, featuring hilarious voice performances by Ellen DeGeneres and Albert Brooks as Dori and Marlin, the film’s story is something every parent can relate to.  Thomas Newman’s score remains his best work to date and was nominated for an Oscar.

9. Monsters, Inc.

I feel badly ranking such a wonderful film so far down on my list, but it can’t be helped.  The advances in Pixar’s animation from Toy Story are amazing in their detail (just watch the way Sulley’s fur moves–it’s details like that that make Pixar the best at their game), and the story is fun, creative, and features the best acting John Goodman and Billy Crystal have ever done.  The emotional resonance of Sulley and Boo’s relationship is sweet, but it’s not nearly as strong as the bond between Sulley and Mike–truly one of the great screen duos.  The door sequence is a standout, the score by Randy Newman is a jaunty, jazz-inspired bit of fun, and Randall is truly rotten villain.  The only good thing about there being a second one is that they won’t ruin one of the greatest film endings of all time–because they’re making it a prequel.

8. Toy Story 2Toy Story 2Just watched this this morning.  And it is easily one of the best films of all time.  A great buddy comedy, a wonderful rumination on getting old and belonging, a hilarious adventure, and the rare sequel that is just as good as (if not better than) the original.  So–why not higher on my list?  Because I like a few other films by Pixar just a bit more.  Everything about Toy Story 2 is pitch perfect, and it’s Pixar at the top of their game.  The “When She Loved Me” sequence alone is better than any two hours of a Dreamworks film.  And Randy Newman should have won his Oscar for this film.  (I must thank John Lassetter for introducing me to the joys of The Riders in the Sky, the cowboy singing group responsible for the “Woody’s Roundup Theme.”)  And yes, this does advertise Tom Hanks and Tim Allen in the poster.  But nobody went to see this movie because of them.  I guarantee it.

7. Brave

Brave Poster

Pixar’s first non-contemporary setting and fairy tale, Brave is a beautiful film featuring a firey main character and Pixar’s always-excellent family dynamics.  The story of Merida and her struggles with her mother’s plans for her life speak into troubles every child has experienced in their own relationships.  Merida wishes for something different from what her parents want for her, but it isn’t until she nearly destroys her relationship with her mother that she realizes the importance of family.  Wonderful performances, amazing music by Patrick Doyle, and a lead heroine that is both strong and vulnerable made Brave the biggest animated film of 2012 and another smash hit for Pixar.

6. Up

The “Married Life” sequence which opens Up are the best 10 minutes of any film ever.  And its 10 minutes is better than any other movie that opened in 2009.  That Pixar could make a movie so deeply resonant with what it means to love somebody (the end is just as strong, when Carl realizes what Ellie really wanted him to do), what it means to hold on to a dream, and what it means to let go is not surprising.  What’s surprising is that it’s a “kids” movie about life and death.  It’s a little sad.  But it’s also fun, witty, and beautiful.  What kid–what adult–wouldn’t want to join Carl’s adventure in balloons?  Who hasn’t dreamed about just going “up”?  The voice performances are spot on, the story is heartfelt and never imitative.  And the score, by Michael Giacchino, justifiably won the Academy Award.  This is the movie that should have won Best Picture of 2009.  Not The Hurt Locker. “I am Doug.  I just met you and I love you.”

5. Cars
This is easily the most controversial placement in my list.  That Cars, which is Pixar’s 2nd worst-reviewed film (after its sequel), would place in a top 5 list is probably unforgivable to some people.  But like I said, this is a subjective list.  And my passion for Cars stems not just from the film, but from what it says and what it means to me and my family.  The film was released in 2006.  That same summer, my family took a 6,000 mile road trip across the American West.  We got off the major interstates and took the small highways connecting small towns through Nebraska, Wyoming, Texas, Arizona, and the like.  We spent a good portion of our road trip driving through towns like Radiator Springs and stopped as often as we could along old Route 66.  We love getting in our car and driving–not to get somewhere in a hurry, but to see where we end up.  And that message is Cars greatest strength to me.  It’s why the song “Our Town” makes me cry every time I see it, and why Doc Hudson, Sally, and the rest of the characters in this film mean so much to me.  So yes, Cars may not be the masterpiece that Toy Story 2 or Up is, but in my life, it has had much greater meaning.  And the soundtrack is one of the best for any Pixar film ever.

4. A Bug’s Life

A Bug's Life Poster

Pixar’s 2nd film is easily one of their best.  It suffered from a horrible bit of backstabbing from Dreamworks, whose Jeffery Katzenberg basically stole the concept before jumping ship from Disney.  Their horrible, similarly-styled film, Antz, opened shortly before A Bug’s Life, and stole some of its thunder.  Of course, another problem was that people wanted more Toy Story.  The brilliance of A Bug’s Life is that Pixar refused to make a bug’s version of their first film and created a wonderful parable inspired by the old “Grasshopper and the Ants” story.  Centered by two great performances by Dave Foley and Kevin Spacey (as Flik and Hopper), the film is a beautifully translucent world of light and color, wonderful supporting characters (Slim, Francis, and Heimlich would be the main characters in many other studio’s films, they are so good), and a heartfelt story, it is an underrated masterpiece.  The Americana-inspired score by Randy Newman is a personal favorite.

3. Ratatouille

Ratatouille Poster
The second film by Pixar to have another director step in and “fix” it, Brad Bird took Jan Pinkava’s original story about a French cuisine loving rat and turned it into a celebration of food and cooking that even someone not passion about great food could love.  The film is a masterpiece of visual delight–the copper kettles shine, the aroma from the saucepans is practically sniffable–and the characters, story, design, music–everything–is top notch.  It may not be the merchandising bonanza of a Cars or Toy Story, but it is a passionate, wonderfully made film about being true to your art.  This is another film with a personal connection–we watched it at Disney’s El Capitan Theatre while on vacation in 2007.  Coming in the midst of a rough personal year, this vacation and the memories associated with it–including going to the Disney Soda Fountain and Studio Store next door after the movie–help place this movie high on my list.

2. Toy Story 3

Toy Story 3 Poster

It’s a perfect film. That’s all there is to it.  The culmination of everything that Pixar had learned and perfected over the years since the first film was unveiled in 1995, 2010’s Toy Story 3 is one of the biggest movies of all time–and easily the greatest film of 2010.  Far better than The Social Network and easily a greater film than The King’s Speech.  Providing an emotional catharsis that most audiences didn’t realize they needed, the story is a buddy picture, a prison escape film, a hilarious comedy, and a truly epic tale of the power of childhood and saying goodbye.  No film trilogy, not even the great ones like The Lord of the Rings or Star Wars (the original, not the crappy prequels) has ever been as perfect in providing a complete since of time, place, and closure.  Saying goodbye to Woody and Buzz wasn’t easy for Andy–but this film made it much easier for the audiences around the world who had loved them for 15 years.  And please, please, please Pixar, let Tom Hanks be wrong.  Do not make another one.

1. Toy Story

Toy Story Poster

1995 was the year Disney released Pocahontas.  As a special preview to that film, Disney previewed a two minute sequence from a new film being advertised as “the world’s first computer-animated film.”  What the world watched in June 1995 was a preview for a film opening that November, a film that would change the way the world looked at animation, bring a new studio to the forefront of cinema’s great storytellers, create a merchandising nightmare at Christmas, and forever alter what animation would look like at Disney–and everywhere else.

That film, of course, was Toy Story.  A brilliantly written buddy comedy about a toy cowboy and his resentment at being replaced by a cooler and newer toy spaceman, it broke new grounds in animation, doing things people had never seen before.  Today, 16 years later, you can see the great strides Pixar and others have made in animating humans, but the toys look as amazing now as they did then.  It doesn’t mind having a hero who is a complete jerk (Woody is actually quite unlikable through a lot of the film, acting like a petulant child toward Buzz), it doesn’t mind being filled with angst (the toys’ terror at Sid’s “playtime,” the worry about being lost, what it means to belong to someone)–while at the same time being populated by wonderful characters (and great voice acting), having the songs brilliantly advance the story (“I Will Go Sailing No More” is a great character moment and a powerful song about discovering you aren’t exactly what you thought you were).  Both Woody and Buzz grow and change by the end of the film, but it’s Woody’s story.  And ultimately, while we may all wish we had a Buzz to play with, most of us would choose to have Woody as our best friend.  You’ve got a friend, indeed.

So…there you have it.  My completely subjective ranking of Pixar’s films.  Discuss.  And give me the reasons why you agree–or disagree–with my rankings!

It’s Not “The 4th of July.” It’s Much, Much More.


I’m doing my best to help my children–and the kids I influence each week–to remember that today is not a holiday because it’s “The Fourth of July.”  We don’t celebrate Christmas because it’s “The Twenty-Fifth of December” or Thanksgiving because it’s “The 4th Thursday of November.”  Those holidays are rightly called by their true names, even though they are celebrated the same time each year.

Sweet Land of Liberty

Today, the United States celebrates its 235th birthday. It’s not “The Fourth of July,” although that is the date today.

Today is “Independence Day,” and we celebrate all that it means.  Thanks to the brave men and women of 1776, we enjoy a nation of unprecedented freedom, abundance, and prosperity unlike anything in the history of the world.  But, as Benjamin Franklin would famously say later, it’s our republic, “If we can keep it.”

We can, and will keep it, if we remember to stand for the principles our founding fathers stood for, to stay strong to the ideals of “life and liberty” and the fact that we are all “endowed by our Creator with certain unalienable rights.”  Life, liberty, and the pursuit of happiness are rights granted to us by God.  But what we do with those rights is up to us.  What we do to preserve and protect the foundations of this great nation is ours to decide.

On Independence Day 2011, what will you do to ensure the true nature of this great day is not forgotten?  Will you watch Schoolhouse Rock‘s “America Rock” and sing along with it?

Will you watch The Patriot and be inspired by a fictionalized account of one family’s path through the Revolution and the price they paid?

Maybe you’ll enjoy Walt Disney’s Johnny Tremaine or the mini-series The Swamp Fox.  Maybe you’ll listen to inspiring music that reminds you of the greatness of our country.  Need some ideas?

Johnny Has Gone for a Solider by Mark O’Connor & James Taylor

Patriot’s Song Medley

This Land is Your Land by The New Christy Minstrels (from an old record collection my parents bought for the bicentennial in 1976).

It’s more than a date.  It’s one of the greatest days in history, and I hope you and your family take a moment to pause and enjoy it.  While you barbecue or watch fireworks, remember the words of one of the greatest documents ever written–written in response to the birth of liberty here in the United States.

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”

God Bless America!

It’s a Big Deal.

As we get ready to celebrate our nation’s birthday on Monday, I’d like to share a quote from one of our greatest patriots. John Adams, our 2nd president, and a firebrand of a legislator who was largely responsible for fanning the flames of independence in the American colonies, wrote to his wife Abigail on July 2, 1776–the day that Congress decided to declare its independence from Great Britain:

Yesterday the greatest question was decided which ever was debated in America; and a greater perhaps never was, nor will be, decided among men. A resolution was passed without one dissenting colony, “that these United Colonies are, and of right ought to be, free and independent States.”

The second day of July, 1776, will be the most memorable epocha in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated as the day of deliverance, by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations, from one end of this continent to the other, from this time forward forevermore.

I am well aware of the Toil and Blood and Treasure, that it will cost Us to maintain this Declaration, and support and defend these States. Yet through all the Gloom I can see the Rays of ravishing Light and Glory. I can see that the End is more than worth all the Means. And that Posterity will triumph in that Days Transaction, even although We should rue it, which I trust in God We shall not.

July 4th is a big deal. It’s not just a day to blow stuff up and barbecue. It’s the representation of an ideal of liberty, a beacon of hope to the nations, that has shined brightly since that day in 1776. Make sure you take time with your family to remember what Adams and his compatriots fought so hard for, and believed so strongly in.

Top 20 TV Theme Songs of All Time

The TV show theme song.

It’s practically a lost art these days, with most television shows having “themes” that last no more than a few seconds, and some, having none at all.  But TV show theme songs are some of the most inescapable, most recognizable, and most likely to get a crowd of people (of a certain age) to sing along with you.

I love TV show themes.  I sat with a recorder and meticulously recorded them from our TV’s speaker so I could listen again and again.  And when TEEVEE Tunes began releasing the “Television’s Greatest Hits” collections when I was in high school, I was in heaven.

TV theme songs are cultural touchstones, often reminiscent of the time they were written, sometimes transcendent, but always–if they’re good–stuck in your head hours after hearing them.  Mind, they may not be great music, but they are great fun.  Here are my top 20 theme songs of all time–and it’s completely subjective:

20. THE DICK VAN DYKE SHOW
One of the greatest shows of all time (and the precursor to workplace sitcoms like The Office in an age when most shows never really showed what the dad did at work) also has a great theme song.  It’s one of my favorites (obviously), and I loved wondering if Dick would trip over the ottoman or not each week.  For the record–I only watched it in reruns.

19. BOOMTOWN
A show with a great premise (the same side of every story as seen by a vast group of characters), Boomtown didn’t last long.  But its theme by WG Snuffy Walden (The West Wing, The George Lopez Show) is one of the best theme songs of the last 10 years.  The opening credits, which shows the history of the City of Angels from its founding to the present day, are also pretty impressive.

18. FRIENDS
Inescapable in the early 1990’s, and the last TV theme song to become a #1 hit, “I’ll Be There for You” is a true classic.  Sung by the alt-rock group The Rembrandts, who somewhat resented their unexpected success, the song is an instant reminder of a time and place for anyone who watched the show–and identified with its characters–for its 10 year run.  “I’ll be there for you,” indeed.

17. ROUTE 66
Composed by a jazz legend who was also one of the greatest arrangers of all-time, this show’s piano-driven theme is one of the greatest of the 1960’s.  The show is mostly remembered today because of the car (a Corvette convertible) and this song by the legendary Nelson Riddle.

16. THE FLINTSTONES
Long before The Simpsons or Family Guy, the Stone Age version of The Honeymooners was a prime-time hit, nominated for the Emmy Award for Best Comedy Series in 1961.  Most of the humor comes from seeing “modern” life in the caveman settings, and the theme song is one of the most familiar of all time.

15. I LOVE LUCY
A ground-breaking television show (first major sitcom shot in Hollywood and filmed on 35 mm film in the now-ubiquitous 3 camera format) and still one of the funniest of all time.  The show was the biggest of its day, winning multiple Emmy Awards and ending its six year run having been the number one show four of those years.  The episode “Lucy Goes to the Hospital” (where Little Ricky is born) had a rating of 71, meaning 71% of all televisions in America were watching that night. The theme song is one of the most instantly recognizable themes of all time, composed by Elliot Daniel.

14. LAW & ORDER
Mike Post’s music for the original NBC staple, and one of the longest-running shows on television (20 years) is his second greatest theme song.  The composer of hundreds of TV themes (including The A-Team, St. Elsewhere, Riptide, and lots of other 1980’s shows), it is this guitar and clarinet-driven piece that earns him his first appearance on this list.  Imagine a Law & Order without this music–it’s not possible.

13. PERRY MASON
Ah, memories of being home from school because I was sick and watching Perry Mason in reruns at lunchtime.  Raymond Burr’s lawyer always managed to get the confession on the stand, from the least likely person, and poor Hamilton Burger, the District Attorney always lost.  The theme song by Fred Steiner was not written for the show.  It’s actually called “Park Avenue Beat.”

12. GILLIGAN’S ISLAND
The show may have been ridiculous in concept and execution, but it has one heck of a theme song.  In the tradition of its creator’s other shows, it lays out the premise for the show in a catchy way.  And I’m pretty sure it will be stuck in your head as soon as you’re done listening to it.  Written by Sherwood Schwartz, who created another top TV song, which makes its appearance in our top 10, and George Wyle, who co-wrote one of the greatest Christmas songs of all time, “It’s the Most Wonderful Time of the Year.”

11. RAWHIDE
Once upon a time, Westerns were the biggest shows on TV.  Maverick, Have Gun Will Travel, Gunsmoke, Bonanza, were all Top 10 hits.  Rawhide introduced the world to Clint Eastwood and this amazing song, sung by the one and only Frankie Laine and composed by film composer Dimitri Tiomkin and lyricist Ned Washington (who won an Oscar for one of my favorite songs of all time, “When You Wish Upon a Star” from Pinocchio).  Hyah!

10. BARNEY MILLER
I was never a fan of the show.  Mostly because I was way too young to get it, and most of the characters were unappealing to me.  But the theme song!  The bass line at the start–the trumpets by the end.  This is one of the great instrumental themes and is still timeless today.  The versions on YouTube don’t show off the music, so click on the arrow to hear this one.

9. M*A*S*H
The rare TV show to be based on a film and actually be more successful, M*A*S*H was groundbreaking in its 11 years on TV, and I remember watching the final episode (“Goodbye, Farewell, and Amen”) with the other 106 million people in America who tuned in, making it the most-watched show in TV history.  The theme song, adapted from the Oscar-nominated theme from the film, is titled “Suicide is Painless” and has lyrics which are, thankfully, never heard in the titles for the show.

8. THE BRADY BUNCH
Like his theme for Gilligan’s Island, Sherwood Schwartz’s theme for The Brady Bunch spells out the whole premise for the show.  Cheesy as it may be, the show is a huge part of our American pop culture and deserves its place in the top 10–it’s just that unforgettable.  The song in its first season (when the kids were still really cute and hadn’t hit that “groovy” stage) was actually sung by a bubblegum pop group called The Peppermint Trolley Company.  For fun, here’s every version of the truly memorable theme song.

7. CHEERS
I was never a fan of the show.  I found the characters more annoying than funny, and I was frankly glad when it went off the air, leaving NBC Thursday nights to Seinfeld.  However, the theme song is one of the best because it summarizes the philosophy of the show, is singable, and has a universal feeling.  Who wouldn’t want to be in a place where “everybody knows your name,” after all?

6. THE TWILIGHT ZONE
Easily one of the spookiest theme songs of all time, the theme for Rod Serling’s 1960’s anthology show still evokes strong feelings, long after the show went off the air.  It has found new life, ironically, thanks to Disney, whose Twilight Zone Tower of Terror keeps the theme song alive for a new generation.  The music is the best-known work of avant-garde composer Marius Constant. “Next stop–the Twilight Zone.”

5. PARKS & RECREATION
The only show of the last 5 years to be featured here, Parks & Recreation has a theme song as bouncy, slice-of-life, and Americana as its characters.  The mockumentary format show, set in Pawnee, Indiana is currently the funniest show on television.  The theme song, a rare thing in this modern era of quick soundbites, evokes the American midwest sensibility through sheer pluckiness.  Composed by Gaby Moreno & Vincent Jones.

4. HILL STREET BLUES
Mike Post’s other big 1980’s era theme song was also a top 10 hit.  Created by Steven Bochco, Blues was a gritty and realistic cop show–not because it showed violence, but because it showed cops as human people dealing with real life trouble.  The theme is a piano-driven masterpiece that evokes the very humanity of these everyday heroes.  “Let’s be careful out there.”

3. MISSION: IMPOSSIBLE
Still amazing today, the theme song captures perfectly the energy and tension of the spies working for the IMF.  Peter Graves and the team will, of course, disavow any knowledge of your actions, but the fact that this music still works today (put it on and even kids will start acting like secret agents) speaks to its greatness.  Lalo Schifrin’s music is perfection.  This is a nice montage created out of the various openings each week, although you are getting an “extended cut of the original theme.”

2. THE SIMPSONS
Now the longest-running show on television, Matt Groening’s cartoon family has stood the test of time.  Easily still one of the funniest shows around, the show’s music is as much a reason for its success as its writing and voice acting.  While Alf Clausen writes and arranges the music for the show (including such amazing pieces as “Streetcar!” a musical version of A Streetcar Named Desire), former Oingo Boingo frontman and film composer Danny Elfman created the theme.

And my choice for best TV Theme Song of All Time?

1. THE MICKEY MOUSE CLUB
Jimmie Dodd’s song for Walt Disney’s second venture into television–tapping the then-unheard of preteen market–stands the test of time for a great theme song.  It is singable, memorable, gets stuck in your head.  But unlike most TV show theme songs, this one has had a long and happy life of its own at the Disney theme parks and in hundreds of other venues and ways.  Originally created in 1955, Walt’s show was named after his most famous creation, but its main stars were preteen boys and girls featured in long-running serials about girls and boys. (Much like today’s Disney Channel.  Walt was way ahead of his time.)  This song has taken on a life of its own because of the power of the Disney brand–if you say the words “Who’s the leader of the club that’s made for you and me” to a kid today, they still know the answer: “M-I-C-K-E-Y M-O-U-S-E.”

That’s my top 20.  What are yours?

Here’s a few honorable mentions: Family Ties, The Muppet Show, The Mary Tyler Moore Show, The Bob Newhart Show, The Office, Modern Family, Home Improvement, ER, The A-Team, and Futurama.

Carpe Diem, Kids.

The song below seems a fitting way to start this post.  I heard it as I was driving to school to deliver my last final.  Good Riddance (Time of Your Life) by Green Day.

Five years ago this August, I received an unusual phone call. It was from the high school principal at Seattle Christian School.  He had been one my favorite teachers when I attended there, but it wasn’t like we were close buddies.  I hadn’t heard from him or seen him since a visit to his school while I was in college.

He asked me a question I did not think I’d ever hear:”Would you like to teach high school drama?”

It was unexpected because at the time I was a full-time pastor at a large church in Redmond, Washington.  My job at the time was creating, producing, and directing large-scale outreach productions.  I was not looking for a second job.  But the elementary principal attended my church, loved my work, and suggested me when the job suddenly came open two weeks before school started for the year.

My answer was uncertain, but maybe, perhaps?  Eventually, after some prayer, some conversation, and an adjustment to my work schedule, I agreed.  I would teach a high school theatre arts class.  One hour, Monday through Friday.

My first class was intimidating.  The teacher I was replacing was well-liked and cared for by the student, most of whom were seniors who had had her for years.  I hadn’t taught in a classroom setting since my college days, and I desperately wanted them to like me.  I really wanted to be like Robin Williams’ character in Dead Poets Society, someone who would inspire his students with more than just lessons.  Someone who would inspire them to seize the day–to do something more with their lives than just the expected.  My hope?  That even an elective teacher could inspire them to greatness.

I wasn’t unfamiliar with high schoolers–I worked with them frequently on my shows at church, after all–but this was a new setting.  I was the interloper, the newcomer, and I was invading a space that was very dear to them.  The room, a space we shared the octogenarian French teacher, was small.  The only non-classroom furniture was an old green wingback chair which, I understood, made frequent appearances in the drama productions.

I had syllabus, which I had copied from somewhere on the internet, and a lesson plan–also copied from somewhere on the internet. And I was determined to teach the kids facts and history about theatre, how to do improv, stage design, lighting, marketing, etc.

After 5 years, I think I may have taught a little bit of all of that.

You see, that was not my forté.  What I liked most, and loved to do most, was to talk and share and take my students on a journey into life.  We did it through improv, through interaction, through shared experiences, and mostly, by being honest.  My theatre arts students may have left my class without knowing every great playwright, and they certainly had very little “hands on” experience in stagecraft.  But they knew a lot about being a real person–a real honest Christian–in a world that very much needed them to be that.

I have watched 5 groups of students graduate from high school.  Some of them from that first class I am still friends with (via Facebook) today.  Some have dropped off the radar.  Every single class has had its share of amazing talent, awkward moments, and far more innuendo than I ever imagined on that very first day of teaching.

I knew I’d arrived–passed the test–when I achieved a nickname.  When AJ’s affectionate shortening of my last name from “Montague” to “Monty” became the name I was called by every student–that’s when I knew that I had been judged, had been found acceptable, and was going to make it.  I know this because the teachers that meant the most to me in high school–the ones who mattered most to me–were the ones I gave nicknames to.  It was a true highlight of that first year.

There were other highlights that year.  I was privileged to take the students to the annual ACSI Speech Meet in Idaho.  In their 4 years of going, the students had never won.  We had elaborate plans on how to steal the trophy, including using the stroller of my youngest child to stash it in and use as a getaway vehicle.  When we actually won, it was a shock that made even my normally talkative students sit in stunned silence.

My first real play at SCS, Pure as the Driven Snow (or, A Working Girl’s Secret) was a classic melodrama with a moustachioed villain, a virginal heroine, and a manly hero.  Because I was no longer working two jobs, I threw myself into this first play and dedicated myself to making it their best play in years.

Thanks to performances from students like AJ, Ciara, Trevor, Ian, Tiffany, Lauren, and a few others, the play was an uproarious hit.  But in the midst of all the fun of the school play, the students were with me when I received a call from my wife right before class started one day.  As I was about to begin teaching, I found out that the baby we were expecting was not going to make it–the miscarriage was going to happen at any time over the next week.

I walked back to class heartbroken.  I couldn’t disguise how I felt.  My students asked me what was wrong and I remember choking up as I told them.  I was honest, painfully so, about how much this made me angry.  How sad I was.  And yet, I also knew that God would give Robyn and I the strength to get through it.  The room was quiet after I finished, having talked nearly the entire class.  I apologized to them, I think, for blabbing on for so long.

But that moment changed everything for me and my relationship with my students.  No longer would I try to hide life from them.  Life gets messy.  Life can be painful.  Sometimes hurts come your way, sometimes amazing things happen and everyone is happy.  But these students deserved to have at least one teacher tell them the truth about life, their place in it, and the fact that God’s way was still better, still worth it.

That was a game changer for them, too.  Now they could ask honest questions about things like faith and life.  They could be real, and as they got real, our class got a lot more honest, truthful, open, and fun.  Our art got better, our shows improved, and when we said that drama was holding up a mirror to life and showing it as it could–or should–be, we understood what that meant.

The highlights were different every year, but I enjoyed every single one.  The Idaho trips, even when we were unfairly judged and lost, were worth it for the big dinner at the hotel in Couer d’Alene (and the big ice cream sundaes). The Christmas musical we did at Foster, and the Christmas musical we didn’t do because of snow which instead became a series of readings, awkwardly delivered but wonderfully received. Movie treatments never finished, lesson plans abandoned, and way too many rabbit trails during lectures.  Strange large-scale improvs in creepy places, medieval mystery plays that should have been rated NC-17, the “Heaven/Hell/Purgatory” board, the ongoing battles with the French teacher, and improv scenes that always seemed to go dark–or creepy–or, well, you know.  So many more wonderful–painful–awkward–fantastic moments.

From an administrative standpoint, I’m probably not the greatest teacher.  I have rarely taken attendance, frequently struggled with keeping my grades updated in InfoDirect, and often pushed the limits of what students can do, or should talk about, in class.

Looking back over 5 years, I realize that that doesn’t matter.  It’s not what the students walk away from your class with.  What they do walk away with is hopefully more than just the fact that Aristotle was the father of drama, that Shakespeare was an amazing playwright, that Sondheim is, as one critic puts it, “the beginning and end of musical theatre.”  If that is all my students have learned from me, than I have failed.

But if they have learned that life is a struggle worth fighting, that art can transcend the mundane everydayness, that sometimes it’s worth it to argue with authority, and–most of all–that a deep and abiding faith and relationship with God comes from going into the dark, yucky places of life, knowing He will go there with you and help you find your way to the other side?  Then everything, all the hours, all the work in doing two jobs at one time, is worth it.

And if I, as a teacher, have learned anything from the students I interact with every day? Then that makes it even more worthwhile.  To realize that dreams are still important, that friendships matter.  To remember the feelings I had at the same age–feelings of unconquerable optimism, or fragile worrying.  To take their experiences, hopes, dreams, and fears, and help them see them in a bigger picture?  To encourage them to stay strong in their faith, to embrace the gifts God has given them.  Worth it.

The seniors I had that first year of teaching are graduating from college this year. The freshmen I had that year are just ending their freshman year of college, and my final group of freshmen are now entering into that great unknown world out of high school.  They’ve left the safety of the Christian school and are now venturing into the world where they will be tested.  I truly hope that I played a small part in the victories they are now experiencing.

I hope when they watch a bad movie, they will remember the many episodes of Mystery Science Theatre 3000 we watched together.  Eegah!, Manos: The Hands of Fate, Outlaw, The Creeping Terror, and so many more wonderful, horrible memories.  And I hope they remember that good art doesn’t come because you have good intentions.  Every single one of those movies were made with the intention of doing well.  Talent, effort, and a lot of hard work go into making “good” art.

I hope that when they think of the plays we did together, they will remember lines, moments, and memories that will bring back that unique rush that comes from putting on a live show for a live audience.  Whether it was AJ’s appearance in a dress in Pure as the Driven Snow (an SCS first), the rickety ladders and bare stage of Our Town (my favorite play of all time, brought beautifully to life by my young cast)–and the onstage kiss during the wedding scene (another SCS first), the mistaken identities and brooding drinking (another SCS first) in The Bride of Brackenloch, the cross-dressing confused love in A Fate Worse Than Death (another SCS first), or the “to heck with it, let’s put on a show that confuses the heck out of everybody” of Hold Me!, every play is indelibly etched in my mind.

I hope that when they remember the long rambling conversations about faith, art, films, culture, and politics, they will recall that life is varied.  It’s good to surround yourself with people who don’t always agree with you.  It’s good to question things, to not be afraid of post-modernism, to challenge the status quo.  It’s also good to be respectful, to find meaningful ways to dialogue about things that trouble you, and to be okay when things get messy and ugly.  God is big enough to handle the questions they may ask.

AJ. Trevor. Ciara. Brianna. Kelsey. Shelby. Julia. Katey. Kara. Ian. Ryan. Blaine. Mackenzie. Tyler. Lauren. Pattie. Michael. Charlie. Nicole. Ali. Angela. Tiffany. Sabara. Beth. Riley. Jessica. Blake. Hannah. Melanie. Kristin. Benita. Tootsie. Sam. Madison. Megan. Noel. Allison. Jessica. Maddie. Morgan. Forrest. Kara. Dylan.  Adrian. Bobby. Richard. Tyler. Joey. Cory.

I can’t remember all of their names, sad to say.  Their faces are still familiar to me, and I am grateful for those who have stayed friends with me via Facebook.  But I want them all to know, being your teacher was one of the greatest experiences of my life.  I will never forget the memories we made, the laughter we shared, the tears we shed.  I am grateful beyond measure for the experience of being in class with you, whether I was on time–or late–and seeing you every day of the week.  I am a better man, and a better pastor, because you were my students.

Carpe diem, kids.

Seize the day.  Seize the moment.  Whatever you are doing now, godspeed to you.

And one more thing:

Thank you.

Single Parenting

I have been “single parenting” it for several days in the last week.

It’s hard.

Here we are at 9 pm, and I’m finally getting time to myself.  Each child is in bed.  And I’m finally, blissfully, alone.

Don’t get me wrong. I love my children.  All four of them are incredible gifts from God that remind me every day just why life is wonderful.  But collectively, they have all driven me a little closer to the edge of insanity today.  No wonder Robyn doesn’t want me to have “unwind” time when I come home from work.  I walk in the door and she is longing for what I am finally experiencing.  A few moments of quiet.  No child noise.  No child television shows.  No child games or toys.  Just the quiet hum of the dishwasher.

I don’t know how single parents do it.  I have the promise of my wife returning home tomorrow.  Most single parents look at the future as more of the same.

It’s a lot of work, parenting all your children by yourself.  Being friend and confidant and encourager and discipliner and leader and–well, you get it.  Doing all by yourself what is hard enough for two people to do together.

The laundry and lunches.  The schedules and screw-ups.  I don’t know how you do it, single parents.

But I respect you even more.

And will pray for you even more, too.

What Will It Take to Keep You from Jesus?

I think one of the saddest verses in the Bible comes from Matthew 19.

A young man has asked Jesus what he must do to get everlasting life.  Jesus tells him he must obey the commandments, and being an upstanding and good man, the young man answers that he has done this since he was a youth.  Jesus then tells the man he must sell his possessions, give the money to the poor, and follow Him.

“But when the young man heard this, he went away sad, for he had many possessions.”  (Matthew 19:22 NLT)

Heartbreaking words.

He is ready to pursue Jesus and the everlasting life He offers.  But when it comes to walking away from it all to follow Jesus, he just can’t do it.  He would rather walk away than give up his possessions.

Because that’s what Jesus was really talking about.

The follow part.

It’s not that Jesus was against the man owning stuff.  What He wanted to discover was whether or not he was willing to give it up for the greater thing: following Him.

Stuff

A lot of Christians who read this passage may say, “Well, I would never do that.  I would gladly give up everything for Jesus.”  They say, “Nothing could keep me from Jesus.”

That’s easy to say.  But what if Jesus wasn’t talking about some young man’s possessions from the 1st century?  What if He was asking you, “Are you willing to give up what matters most to you for the greater thing I am offering?”

You see, we get comfortable with things and don’t want to exchange what we know for an unknown.  That was part of this young man’s problem.  It wasn’t that He didn’t love God.  He did.  He’d obeyed the law of God since childhood.  He was probably an upstanding member of his community.  He really wanted the everlasting life Jesus was talking about.

But when it came down to giving up what he knew and was comfortable with (his possessions) for something unknown and uncertain (following Jesus), he just couldn’t do it.  He walked away from it all.

Jesus says to us daily, “Follow Me.”  He says, “Go, give up _______________ and follow Me.”  Fill in that blank.  What thing–what person–what relationship–what position–what–is it that keeps you from fully going where Jesus calls?  What would cause you to walk away sad, because you just aren’t ready or willing to give up that thing you know and love for whatever greater thing Jesus is calling you toward?

A position that gives you status but steals your soul?
A relationship that is enjoyable but unhealthy?
A possession that takes attention from the ones you love?
A house? A car? A job? A phone? A game? A friend?

You name it.  If it’s keeping you from going where Jesus calls, it’s time to give it up.

Maybe it’s a good thing that distracts you from following Him.  Maybe you have had the same circle of friends for years, and God is challenging you to meet new people so you can introduce them to Him.  Maybe you’ve lived in the same community for awhile, but have never opened your house to your neighbors.  Maybe you earn a good living, but have never given away as much as you know you could.

Whatever it is that fills in that blank, it’s time to give it up.

Never let it be said of you that you walked away sad from the greatest words you could ever hear:  “And then, follow Me.”

I. Must. Write.

I’ve got to get in the habit of doing this every day, and not just occasionally. I love to write, and part of my problem is I want to have something pithy or important to say. Sadly, I don’t always have an amazing story to share or something to write about.

But one thing I learned in college, particularly from one Laurie Bowers Connolly, who was a brand-new college professor and my soon to be boss at the Biola Writing Lab, was that sometimes you just need to write to get the writing going. Open the brain, begin the firing of all those neurons, and eventually, once you’ve written the junk out, you may come up with one good sentence.

So, here’s hoping that I get writing again, and actively pursue the idea of writing regularly, I can come up with at least one good sentence. And maybe, just maybe, I can make it two.

Nailing It to the Cross

This week in our KidTown services, we spoke about the cross.

In as vivid a way as possible, I told kids what happened when Jesus died on that Friday.  And that He did it all for them.  In a room filled with nearly 300 kids, not a sound could be heard.  They listened, intently, the whole time.

When it was over, I reminded them of this: Jesus put you first when He died on the cross.

And then we handed every kid a pencil and a Post-It® Note.  I encouraged them to write something on that piece of paper–maybe it was something they’d been feeling guilty about for a long time, or a sin they needed to confess, or maybe just an expression of gratitude for the fact that Jesus “did nothing out of selfish ambition or vain conceit” but thought of them when He was nailed to the cross.

Then the kids took those notes and “nailed” them to the cross.  (We used pushpins–I’m smart enough to know that a hammer and nail in the hands of a 2nd grade boy is a bad idea.)  And one by one, they came up and nailed their sins to the cross.

It was a powerful moment.  Humbling.  Inspiring.

But even more humbling, inspiring, and heartbreaking was reading a sample of the notes after I took the cross down.  It reminded me that kids don’t live an idyllic life.  They deal with guilt.  With fear and worry.  They deal with sin, just like their parents.  And they are in as desperate need of a Savior as the drug dealer or Hollywood star.

A sample of their confessions.  Reading them brought tears to my eyes.

Please forgive me for lying to my dad.
I stoel cookie doe.
Lying. What happened at Liam’s. Thank you for everything.
Forgive me for looking at stuff on the internet.
Forgive me for cutting my hair.
Dear Lord, will you forgive me for being a jerk to my family?
I am sorry for cussing and swareing everywhere.

This one really broke me up:

Lord, forgive me because I still feel awful for stealing money 3 years ago.

The beauty of the cross is that the guilt and burdens we bear–no matter how old–or how young–we are, are covered in the blood of Jesus.  His death that Friday was because His love is so great that He doesn’t want anything to keep us from Him.

It’s my prayer that, for these kids, this last Sunday became the day–the beginning–of a life where they realize that their sins can be forgiven, that Jesus loves them so much, that the guilt they live with can be taken and nailed to the cross.


It’s my prayer that I never forget the awesome joy and responsibility I have as their pastor.  Looking forward to sharing the story of Christ’s resurrection with them this Sunday.